Layered Collaborations is an exploring editorial field of Layered. 


A little over a year after Layered was founded, we decided to launch a collection with velvet furniture, designed in-house. The new collection is created in collaboration with the artist Michel Bussien, who previously created an installation where the furniture was the key element in the artistic expression. Michel has previously worked in the twilight zone between interior design and art, and he immediately accepted the request to interpret the Layered furniture collection.

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“I am often inspired by the materials and forms of the natural world. In this project, I experimented with leather and silicone, resulting in artificial plants and creating the surreal feeling I wanted to achieve,” says Michel Bussien, artist and creator. 

For a longer period of time, Michel worked in his studio to create the installation. The project led to a creation consisting of a selection of furniture from the collection together with Michel’s organic creations. The collaboration between Layered and Michel was documented from idea to end-result by fashion photographer Tobias Lundkvist.



Words: Martin Glemme

Renowned for her architectural and spatial art Cecilia Ömalm is a long time favorite of the Layered team. The Stockholm based artist has been a constant figure on the Swedish art scene for at least the past nine years with many talked-about exhibitions to her name as well as numerous grants; such as the prestigious studio grant handed out by the City of Stockholm.


At a dinner hosted by Absolut Art she met with Layered designer and founder Malin Glemme after which they expressed immediate liking of each other’s creations which has now resulted in a very interesting and unique collaboration. Over an encouraging lunch I spoke to her about the recent pieces, how her work comes to life and where she draws her inspiration from.

You’ve worked with many different techniques, from where do you get your inspiration?

– When it comes to art it’s all pretty simple cause it all stems from the same field. I’m inspired by old architecture. That’s always my focal point. It can be everything from structures to details to layouts. I’ve worked with everything from afterlife doors to plans of huge temples that I’ve layed out in stone to these collages I’ve been doing a lot of recently.

How does your creation process usually look like?

– Coffee! Lots of coffee. Well, it often starts with me finding something that intrigues me. I’m extremely intuitive in my work. And once I get started I usually work very hard and very fast. But then I’m absolutely exhausted afterwards. The biggest collage I did was last spring and then I worked on it constantly for two months! I even slept on the sofa so my kids always came and told me to go to bed. When I start I never know what the outcome will be. I just add, edit, and add until the old room doesn’t exist anymore and stop when it just feels good; as if I’m standing in the room itself.

These collages are being displayed at Carousel currently which fits in with the non-traditional places you’ve previously used. How do you think the surroundings affect the reading of your pieces?

– Quite a lot I’d say. I think it’s a better state when you’re not there to look at art. You take away something pretentious and at the same time you give the art more space by putting it in a location that doesn’t have that specific purpose. I think you react more spontaneously to that. It’s just as with people. It’s like when you run into someone that you just happen to like as opposed to a stiff blind date. Both pieces will be displayed at the restaurant Carousel in Stockholm during February.